FABLE: An Anthology of Sci-Fi, Horror & the Supernatural (CLOSED)

FABLE: An Anthology of Sci-Fi, Horror & the Supernatural

UPDATE

Due to an overwhelming response to our open call, we are unable to give an update on individual stories. Please do not email us that you’re withdrawing a story; withdraw the story inside HeyPublisher. If you have any questions not related to an update on your individual story, please contact us.

OPEN CALL

Aurelia Leo presents FABLE: An Anthology of Sci-Fi, Horror & the Supernatural open to all authors. Submissions must fall into one of the following categories: sci-fi, horror, mystery, crime, thriller, and/or suspense. Supernatural elements are encouraged across the board. However, they are not necessary.

GUIDELINES

Submit? azkstudios.com/submit or heypublisher.com/publishers/aurelia-leo

Deadline: November 30, 2022

Publication Date: Mid-2023

Payment:

  • Original Fiction: $0.08/word for the first 1,000 words, and $0.01/word after
  • Reprints: $0.01/word

Length? Flash (1,000 words) up to novella length (39,999 words) (NOT FLEXIBLE)

Format? Shunn Modern Manuscript Format

Track submissions using Duotrope and The Submission Grinder.

TABLE OF CONTENTS

“Four-and-a-half Feet” © Z. C. Loki (1,500): A father changes his son’s life forever.

“Me, A Hero” © Warren Benedetto (2,200): TBA

“House of Sugar, House of Flesh” © Lyndsay E. Gilbert (2,840): TBA

“The Memories Rise to Hunt” © Marie Brennan (2,852): In a city, the marks of violence linger.

“The Silk-Weaver’s Shanty (Arranged for Duet)” © Dan Micklethwaite (3,520): TBA

“Shade” © E.G. Condé (3,743): TBA

“Ants” © Johnathon Heart (4,400): A seemingly happy woman who has just bought a house with her fiancé forms a relationship with the local ant infestation.

“A Necklace of Witchwheat” © Danielle Coombs (4,558) (REPRINT): A young woman twists an ancient harvest-time tradition to her own ends in pursuit of justice for someone she loves.

“This isn’t Othello” © Katherine Westermann (5,824): When an uptight lawyer uses mind-link technology to spice up her marriage, she falls into the grips of an obsession with sex and death that threatens to destroy her.

“Paddlejumpers” © R. B. Payne (5,950) (REPRINT): Two graveyard shift EMTS battle an invasive species when they respond to a not-so-routine emergency call from Hollywood’s famed porn ranch film location.

“The Lunatic” © Gordon Linzner (6,500) (REPRINT): A stray dog seems a sheriff’s best clue to tracking a serial killer but leads to the investigation taking a dark turn. [Originally published in The Magazine of Fantasy & Science Fiction (December 1983)]

“Swing Low Sweet Moon” © Phoebe Wagner (7,405) (REPRINT): What if for-profit prisons were werewolf sanctuaries?

“The Vandal” © Antony Paschos (8,300): TBA

“The Slow Blues of Tommy Black” © Erik Lynd (9,100): TBA

“Blood Mangoes” © Ashok Banker (9,100): Shanti wanted the best mango she could find to win back her best friend–and was willing to do anything to get one.

RULES

  • Translations are accepted
  • Simultaneous submissions to other markets are accepted
  • Only two submissions allowed in total (one original and one reprinted story)

RIGHTS

  • Copyright remains with the author at all times
  • Non-exclusive archival rights as long as the website(s) hosting the work are online
  • First world electronic and print rights in English with exclusivity for 12 months from the date of publication
  • If selected to be republished in another anthology in the future, payment in royalties is $0.01USD per word
  • If selected for a podcast or audiobook, payment is $0.01USD per word for non-exclusive electronic audio rights

HARD SALES

  • Excerpts out of a novel
  • Poorly formatted and edited work
  • Overtly racist, sexist, or violent work

ABSOLUTE NO

  • Fanfiction of any kind
  • Works above the word count
  • Taboo elements (rape in all forms, incest, pedophilia, etc.) in almost all cases

OF INTEREST

  • Protagonists that are Queer, Trans, Black, Indigenous, or/and People of Color (QTBIPOC)
  • Settings outside of the United States of America, or the United States of America as we know it
  • Intersectionality in regards to gender, class, ability status, ethnic origin, religion, sexual orientation, and so on

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